The Rochester Connection in the JFK Cover-up

Based on the title of this piece,  I am sure that at least half of those who encounter it have already skipped past to read something else. There is a great deal of psychological resistance to the fact (not a theory) that JFK was shot by more than one gun (at least one of which was in front of him) and that there was a massive government cover-up to hide that fact.

If you are still here, congratulations you must at least have an open mind! I can’t really blame those who do not understand this. After all, a large part of the cover-up has been an orchestrated attempt to sell the fake Lone Gunman story in the major media that have been controlled by CIA for at least the last 50 years and which continues to this day. (See Operation Mockingbird.)

Also making it difficult to know what really happened is the fact that so much of the government files in the case were locked up for long periods and some remain classified to this day. This is not even including the many files that were no doubt destroyed and will never see the light of day!

Over recent years, however, as more documents have been released and as more and more researchers have pored over the evidence and  compared notes, a consensus of the truth has begun to emerge. I don’t know who shot John (for a list of suspects,  see my column from last November) or who gave the order, but it is becoming increasingly clear that officials at the highest levels of government led the effort to cover the tracks of the assassins.

Which brings us to the famous Zapruder film and Rochester’s role in it’s editing. For what follows I am mainly summarizing the conclusions of Doug Horne who’s 5-volume series of books “Inside the Assassination Records Review Board” (on which he served)  is  a classic of detailed analysis. No I have not read the entire 5 volumes, however, a good summary can be found in 5 online videos published by the Future of Freedom Foundation.

While a large part of those volumes and videos deal with the fraudulent military autopsy conducted at Bethesda Naval Hospital, the curious case of the altered Zapruder film is summarized in another of his online videos entitled. “The Zapruder Film Mystery.”

It appears that contrary to the cover story that has been clung to for almost 51 years  there was an original version of the Z-film that was heavily edited to remove a large amount of “inconvenient” evidence of a conspiracy. This included a much larger explosion of JFK’s head that went on for many frames (not the one frame that survives in the altered version) which showed large amounts of brain material ejected from the back of Kennedy’s head.

In the original version seen by technicians of the National Photo Interpretation Center in Washington, D.C. on the night of Saturday, Nov. 23, 1963, there was also evidence of the limousine slowing to a near stop before the fatal head shot. This confirms the impression of dozens of eyewitnesses that day who reported that the motorcade had come to a virtual stop.

Dino Brugioni, who was a high official at NPIC and who’s honesty is beyond reproach,  testifies to this and a great deal more on the video. He led the three person crew that worked with the original film that night. Apparently for many years he was unaware that a second crew was called in Sunday night to work on a new altered version of the film.

The agent who brought the second film to NPIC  Secret Service agent “John Smith” reported that he had just come from Rochester, NY where the film had been developed at the Hawkeye Plant at Eastman Kodak. The CIA had a very close connection with Kodak and had a classified section of the plant where top secret work was done.

Interestingly the copy he delivered Sunday was a 16 mm two-sided version, although the film worked on the night before had already been slit into a 8 mm version when it was developed in Dallas on Friday afternoon. It is surmised that the original was sent to Rochester on Sunday morning where editing was done at the then state-of-the-art equipment at  Hawkeye during the day Sunday before being returned to NPIC Sunday night. Leaving it in 16 mm format was an apparent attempt to convince the Sunday technicians (who were sworn to total secrecy) that they were working on the camera-original film.

Further evidence that the film was altered has been found by using modern image analysis software to study the official version frame by frame. A group in Hollywood that has done that has found very strong evidence of crude alteration including an attempt to black out the gaping exit hole in the rear of Kennedy’s head and even paint on an alternate (and non-existent) exit wound at the top of JFK’s head.

This was obviously necessary to sell the Lone Nut shooting from the rear scenario and it was therefore also necessary to falsify the autopsy (and perhaps conduct secret surgery) to make Kennedy’s wounds correspond to the official story.

Whether the people who covered everything up are the same people who carried out the assassination is an interesting question. I suppose that theoretically they could be acting independently, however, the speed and precision with which the cover-up was carried out argues for a larger conspiracy.

If you have read this far, you either think that I must be wearing a tin foil hat or you may be intrigued. In either case, I urge you not to take my word for anything, but  to watch the video and read into the case a little more.

For the reasons why Kennedy was killed the best place to start is the book “JFK and the Unspeakable: Why he died and why it matters.” by James Douglas. I happen to know that at least one copy is on sale at Sundance Book Store in Geneseo and if that is sold, I am sure owner Fred Mingrino would be happy to order you another! Even 51 years later, it does matter. The truth will out!

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